For his latest film, Aamir has cropped his hair. He will re-grow it in stages to finalize the 'look' for his next film.
He thinks a lot before making any decision because he believes in perfection and his dedication towards his work fetches him fruitful results, even if sometimes he has gone way off the mark. In 2007, ace actor and talented director Aamir Khan celebrated his 43rd birthday on March 14 by shaving off his hair to get into the Ghajini role.
And now, he has done it again! There was a lot of speculation for a few days on his whereabouts, but the man was inside his house most of the time, and most of the time he wore a bandana. But hardly anything escapes us. Today, as you read this, Aamir is almost bald.
Our source, who stays very close to his residence in Bandra, spotted him with white hair follicles and called us about the same.We followed the tip-off and learnt that this exercise is for Aamir's look in his next film, to be directed by Reema Kagti and co-produced by Aamir and Excel Entertainment (Ritesh Siddhwani and Farhan Akhtar).
A source close to Aamir confirmed with Mumbai Mirror, "Aamir has shaved his head, but not completely. It's basically a look which resembles the one he had in Ghajini."
His favourite barber Avan Contractor had shaved off his hair for Ghajini. This time Contractor wasn't contracted to shave him. "The shaving happened on November 8. It was done at his residence. Obviously, nobody else was present except a new hairdresser and Aamir's family" Added the source.
"Now, Aamir will growing his hair all over again. And he shall settle on the crop which he feels would best suit him."

A popular Assamese singer has claimed that a chartbuster song in Akshay Kumar and Aishwarya Rai starrer box-office dud 'Action Replayy' was copied from his earlier work.
"Composed by music director Pritam, the 'Zor Ka Jhatka' song is lifted from two of my songs written years ago," Kumar Bhabesh alleged.
"The 'mukhra' (first stanza) of the song is copied from my album 'Sunpahi' published seven years ago, while the 'antara' (middle stanza) has been copied from the 'Ruksana' song of my 2008 album 'Roja'," he said.
On what took him so long to raise the issue, Bhabesh said he was away on a two-month music project in a remote village in Assam's Karbi Anglong district.
Demanding due credit for his work, he said "If they used my scores then they should have given due credit and informed me at least." The music composer said that he would consult lawyers within a couple of days.Pritam could not be contacted immediately, while the producers of the film refused comment.
Recently, the soundtrack of the superhit number 'Munni Badnaam Hui' from 'Dabangg' was said to have been inspired by a Bhojpuri song 'Launda Badnaam Hua Naseeban Tere Liye'.

Story: They called him Merlin and anointed him the best magician. But Ethan Mascarenhas (Hrithik Roshan) has very little magic left in his life after a near-fatal accident that leaves him paralysed and confined to bed for life. Can the life-loving Ethan live out the rest of his life as a quadriplegic or has he a right to end the pain and opt for euthanasia (mercy killing)? While his best friend and lawyer Devyani (Shernaz Patel) is ready to fight his case, his devoted nurse Sophie (Aishwarya Rai) can't foresee a life without her beloved patient and is in a dilemma. Will she let go?

Movie Review: Guzaarish is an unusual film in many respects. Firstly, because it follows a film craft that is akin to pure art. Film maker, Sanjay Leela Bhansali and his cinematographer (Sudeep Chatterjee) have created a collage of riveting paintings on screen, where both the interiors of a crumbling mansion and the outsides of an incandescent Goa landscape literally transport you to an art gallery. The exquisite detailing of Aishwarya's daily chores as she brushes her patient's teeth, shampoos his hair, scratches his nose, cleans his bed sores or simply draws the blinds to keep the sunlight out is mesmerising to watch, even as their rare outdoor soirees blind you with their exuberance. Catch Hrithik and Aishwarya enjoying a drive down the uninhibited Goan countryside and you can actually feel the breeze rustle through your hair....



But more unusual is the spirit of the film which supposedly articulates a plea for death but ends up serenading life and love with tenderness and restraint. Ethan may be plagued by his immobility and languishing body, but his eyes dance like a dervish. Despite his desire to die with dignity, there is a liveliness that surrounds him as he interacts with the few people around him: his student, the wanabe magician Omar (Aditya Roy Kapur), his lawyer friend, Devyani (Shernaz Patel), his die hard doctor (Suhel Seth), his mother (Nafisa Ali) and most importantly, his nurse, Sophie (Aishwarya Rai). Even the few flashbacks that the film features showcase him as an ardent lover and an adorable kid, who performs his first magic trick before his mother. Yes, death does hang around like a shroud, but life bristles and bursts through every frame of Guzaarish.

Then again, the film is one of the most unusual love stories of recent times. The relationship between Ethan and Sophie is much more than a patient-nurse bond and brims over with a passion that threatens to burst any moment. So what if almost everything is left unsaid between the two. The eyes -- and expressions -- say it all. Kudos to Hrithik and Aishwarya to create some of the most romantic moments on screen without resorting to cliche and stereotype.

The performances are uniformly good, with the ensemble cast, specially Shernaz Patel, providing great support to the lead actors. But in the end, it is Hrithik Roshan and Aishwarya Rai who leave an indelible impression with their interpretation of two extremely difficult and unconventional characters who do not have the usual props to express grief, joy, pain and passion. If Hrithik uses his eyes as his be-all and end-all, then Aishwarya is a stunning picture of fire and grace, walking away with certain scenes by her sheer vitality. Catch her outburst in the courtroom and her impromptu jig in the restaurant to understand how underutilised she has been in run-of-the-mill cinema. Equally noteworthy is the music score where Sanjay Leela Bhansali debuts as a music director.

A film like Guzaarish isn't made for the box office. It's made for the gratification of the senses. And that it does, in ample measure.